Takashi Murakami, ‘Superflat Museum Set of 10’, 2004, Sculpture, Vinyl plastic, EHC Fine Art Gallery Auction
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Takashi Murakami

Superflat Museum Set of 10, 2004

Vinyl plastic
2 × 1 2/5 in
5.1 × 3.6 cm
.
Bidding closed
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EHC Fine Art Gallery Auction
Medium
Takashi Murakami
Japanese, b. 1962
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One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. Murakami became famous in the 1990s for his “Superflat” theory and for organizing the paradigmatic exhibition of that title, which linked the origins of contemporary Japanese visual culture to historical Japanese art. His output includes paintings, sculptures, drawings, animations, and collaborations with brands such as Louis Vuitton. “Japanese people accept that art and commerce will be blended; and in fact, they are surprised by the rigid and pretentious Western hierarchy of “high art’,” Murakami says. “In the West, it certainly is dangerous to blend the two because people will throw all sorts of stones. But that’s okay—I’m ready with my hard hat.”

Takashi Murakami, ‘Superflat Museum Set of 10’, 2004, Sculpture, Vinyl plastic, EHC Fine Art Gallery Auction
Save
Save
View
View in room
Share
Share
EHC Fine Art Gallery Auction
Medium
Takashi Murakami
Japanese, b. 1962
Follow

One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. Murakami became famous in the 1990s for his “Superflat” theory and for organizing the paradigmatic exhibition of that title, which linked the origins of contemporary Japanese visual culture to historical Japanese art. His output includes paintings, sculptures, drawings, animations, and collaborations with brands such as Louis Vuitton. “Japanese people accept that art and commerce will be blended; and in fact, they are surprised by the rigid and pretentious Western hierarchy of “high art’,” Murakami says. “In the West, it certainly is dangerous to blend the two because people will throw all sorts of stones. But that’s okay—I’m ready with my hard hat.”

Takashi Murakami

Superflat Museum Set of 10, 2004

Vinyl plastic
2 × 1 2/5 in
5.1 × 3.6 cm
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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