Takis, ‘Boule magnétique’, 1962-1968, Mixed Media, Bois, aimant, fil de fer, Plexiglas, bobine de cuivre et système électrique, PIASA
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Takis

Boule magnétique, 1962-1968

Bois, aimant, fil de fer, Plexiglas, bobine de cuivre et système électrique
63 × 137 4/5 in
160 × 350 cm
Bidding closed
About the work
P
PIASA

Collection particulière, Belgique

Bibliographie: M. Delorme, "Takis: Monographies", …

Medium
Takis
Greek, 1925–2019
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Among the leading kinetic artists, Vassilakis Takis has created a pioneering body of sculptures, performances, and sound pieces focused on electromagnetism, a force with which he has been fascinated since the beginning of his career. Takis settled in Paris in 1954, and crafted his first “Signal” sculpture the following year. His best-known series, the “Signals” are composed of delicate, moving rods springing from a solid base and topped with various industrial and technological fragments. Referencing natural and manmade antennae, they seem to commune with their surroundings. Magnets are the animating center of his works. He has harnessed their pull to suspend human beings and objects in space. For Takis, electromagnetism is a unifying force, which runs through all bodies, and which he celebrates in art that, in his words, “binds together in space, objects, metals, roaming particles of the cosmos.”

Takis, ‘Boule magnétique’, 1962-1968, Mixed Media, Bois, aimant, fil de fer, Plexiglas, bobine de cuivre et système électrique, PIASA
Save
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View
View in room
Share
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About the work
P
PIASA

Collection particulière, Belgique

Bibliographie: M. Delorme, "Takis: Monographies", Editions Galilée, 1984, un exemplaire similaire reproduit en n/b, p. 175

Buyer responsible for Buyer’s Premium and any applicable taxes, including VAT.

Medium
Takis
Greek, 1925–2019
Follow

Among the leading kinetic artists, Vassilakis Takis has created a pioneering body of sculptures, performances, and sound pieces focused on electromagnetism, a force with which he has been fascinated since the beginning of his career. Takis settled in Paris in 1954, and crafted his first “Signal” sculpture the following year. His best-known series, the “Signals” are composed of delicate, moving rods springing from a solid base and topped with various industrial and technological fragments. Referencing natural and manmade antennae, they seem to commune with their surroundings. Magnets are the animating center of his works. He has harnessed their pull to suspend human beings and objects in space. For Takis, electromagnetism is a unifying force, which runs through all bodies, and which he celebrates in art that, in his words, “binds together in space, objects, metals, roaming particles of the cosmos.”

Takis

Boule magnétique, 1962-1968

Bois, aimant, fil de fer, Plexiglas, bobine de cuivre et système électrique
63 × 137 4/5 in
160 × 350 cm
Bidding closed