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Taxile Doat, ‘University City, Fine Vase, Ivory Crystalline Glaze, University City, MO’, 1912, Rago/Wright
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University City, Fine Vase, Ivory Crystalline Glaze, University City, MO, 1912

10 × 2 1/2 in
25.4 × 6.4 cm
Bidding closed
About the work
RW
Rago/Wright
Medium
Design/Decorative Art
Signature
Incised UC 1912, signed TAXILE DOAT
Taxile Doat
French, 1851–1939
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Taxile Doat began working at the Sèvres National Manufactory in 1877. Throughout his tenure there, he maintained a private atelier, at first in Paris and later both in Paris and in the city of Sèvres. Doat's studio ceramics nearly rejected the classical vocabulary that dominated the remarkable pâte-sur-pâte work he created at Sèvres. Instead he favored the Japanese aesthetic of organic shapes and running glazes. His macro crystalline glazes were especially well received. [Source: Jason Jacques]

Taxile Doat, ‘University City, Fine Vase, Ivory Crystalline Glaze, University City, MO’, 1912, Rago/Wright
Navigate left
Taxile Doat, ‘University City, Fine Vase, Ivory Crystalline Glaze, University City, MO’, 1912, Rago/Wright
Navigate right
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
RW
Rago/Wright
Medium
Design/Decorative Art
Signature
Incised UC 1912, signed TAXILE DOAT
Taxile Doat
French, 1851–1939
Follow

Taxile Doat began working at the Sèvres National Manufactory in 1877. Throughout his tenure there, he maintained a private atelier, at first in Paris and later both in Paris and in the city of Sèvres. Doat's studio ceramics nearly rejected the classical vocabulary that dominated the remarkable pâte-sur-pâte work he created at Sèvres. Instead he favored the Japanese aesthetic of organic shapes and running glazes. His macro crystalline glazes were especially well received. [Source: Jason Jacques]

University City, Fine Vase, Ivory Crystalline Glaze, University City, MO, 1912

10 × 2 1/2 in
25.4 × 6.4 cm
Bidding closed
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