Terry O'Neill, ‘Kate Moss’, 1993, Photography, Oversized dye coupler, Heritage Auctions
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Terry O'Neill

Kate Moss, 1993

Oversized dye coupler
18 × 18 in
45.7 × 45.7 cm
Edition 9/50
Bidding closed
HA
Heritage Auctions

Framed Dimensions 30 X 30 Inches

Condition Report: Sheet is cornered to board; slightly undulating …

Medium
Signature
Signed and editioned '9/50' in silver ink lower margin recto
Image rights
Courtesy of Heritage Auctions
Terry O'Neill
British, 1938–2019
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Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra, to name just a few, and have appeared on the covers of Life, Rolling Stone, and Vogue. Over the years O’Neill has formed close bonds with many of his sitters, evidenced by the intimate, snapshot-style nature of many of his photographs from the 1960s and ’70s. “I’m a reportage photographer, and I just like fading into the background,” says O’Neill. “The more discrete you are the better off you are.”

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Terry O'Neill, ‘Kate Moss’, 1993, Photography, Oversized dye coupler, Heritage Auctions
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Save
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View
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HA
Heritage Auctions

Framed Dimensions 30 X 30 Inches

Condition Report: Sheet is cornered to board; slightly undulating along upper and lower edges, minimally extending into the image along the upper edge; otherwise, there do not appear to be any major condition issues affecting the work.

Please note this work is currently located in our …

Medium
Signature
Signed and editioned '9/50' in silver ink lower margin recto
Image rights
Courtesy of Heritage Auctions
Terry O'Neill
British, 1938–2019
Follow

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra, to name just a few, and have appeared on the covers of Life, Rolling Stone, and Vogue. Over the years O’Neill has formed close bonds with many of his sitters, evidenced by the intimate, snapshot-style nature of many of his photographs from the 1960s and ’70s. “I’m a reportage photographer, and I just like fading into the background,” says O’Neill. “The more discrete you are the better off you are.”

Terry O'Neill

Kate Moss, 1993

Oversized dye coupler
18 × 18 in
45.7 × 45.7 cm
Edition 9/50
Bidding closed
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