Portrait of supermodel Kate Moss in London, 1993

Medium
Condition
Mint Condition
Signature
Hand-signed by artist, Signature sits on the bottom right hand corner
Certificate of authenticity
Included
Frame
Not included
Series
Co-Signed Hand Signed series

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra, to name just a few, and have appeared on the covers of Life, Rolling Stone, and Vogue. Over the years O’Neill has formed close bonds with many of his sitters, evidenced by the intimate, snapshot-style nature of many of his photographs from the 1960s and ’70s. “I’m a reportage photographer, and I just like fading into the background,” says O’Neill. “The more discrete you are the better off you are.”

Selected exhibitions
2020
Terry O'Neill | "A Tribute to Terry O'Neill"Eduard Planting Gallery | Fine Art Photographs
Terry O'Neill: 'Every Picture Tells A Story', A RetrospectiveMaddox Gallery
2018
‘Faces of Kensington & Chelsea’ through generations from the swinging 60’s to todayIconic Images
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Kate Moss (Co-Signed), 1993

Original Silver Gelatin
24 × 20 in
61 × 50.8 cm
.
AUD $15,000 - 20,000
Location
Darlinghurst
Certificate
This work includes a certificate of authenticity.
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Portrait of supermodel Kate Moss in London, 1993

Medium
Condition
Mint Condition
Signature
Hand-signed by artist, Signature sits on the bottom right hand corner
Certificate of authenticity
Included
Frame
Not included
Series
Co-Signed Hand Signed series

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra, to name just a few, and have appeared on the covers of Life, Rolling Stone, and Vogue. Over the years O’Neill has formed close bonds with many of his sitters, evidenced by the intimate, snapshot-style nature of many of his photographs from the 1960s and ’70s. “I’m a reportage photographer, and I just like fading into the background,” says O’Neill. “The more discrete you are the better off you are.”

Selected exhibitions (3)
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