Terry Winters, ‘The Four Corners (Verona)’, 1978-79, Drawing, Collage or other Work on Paper, Graphite and acrylic on paper, Palm Springs Art Museum Benefit Auction
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Terry Winters

The Four Corners (Verona), 1978-79

Graphite and acrylic on paper
37 3/4 × 49 1/4 in
95.9 × 125.1 cm
.
Bidding closed
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Palm Springs Art Museum Benefit Auction

Donor: Nora and Guy Barron. Framed dimensions.

Medium
Signature
Signed and dated on verso
Image rights
Courtesy of the artist
Terry Winters
American, b. 1949
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For the past 30 years, Terry Winters has occupied the same New York studio since his very first exhibition. A painter, draftsman, and printmaker, Winters began exhibiting in New York in 1977 after his graduation from Pratt Institute in 1971. While his early paintings possess a minimalism influenced by Brice Marden, his work evolved to depict organic shapes and abstracted images of botanicals, and schematic references to scientific processes. Although Winters’ work has become more complex over time, his process has remained the same—since the beginning, he has collected images and assembled collages of references to prepare ideas for his paintings. These collages reveal unforeseen connections between found images, which Winters likens to a “readymade” that he strives to perfect.

Terry Winters, ‘The Four Corners (Verona)’, 1978-79, Drawing, Collage or other Work on Paper, Graphite and acrylic on paper, Palm Springs Art Museum Benefit Auction
Save
Save
View
View in room
Share
Share
Palm Springs Art Museum Benefit Auction

Donor: Nora and Guy Barron. Framed dimensions.

Medium
Signature
Signed and dated on verso
Image rights
Courtesy of the artist
Terry Winters
American, b. 1949
Follow

For the past 30 years, Terry Winters has occupied the same New York studio since his very first exhibition. A painter, draftsman, and printmaker, Winters began exhibiting in New York in 1977 after his graduation from Pratt Institute in 1971. While his early paintings possess a minimalism influenced by Brice Marden, his work evolved to depict organic shapes and abstracted images of botanicals, and schematic references to scientific processes. Although Winters’ work has become more complex over time, his process has remained the same—since the beginning, he has collected images and assembled collages of references to prepare ideas for his paintings. These collages reveal unforeseen connections between found images, which Winters likens to a “readymade” that he strives to perfect.

Terry Winters

The Four Corners (Verona), 1978-79

Graphite and acrylic on paper
37 3/4 × 49 1/4 in
95.9 × 125.1 cm
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Terry Winters