Than Hussein Clark, ‘La Voixe Humaine (Préparation)’, 2017, VI, VII
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La Voixe Humaine (Préparation), 2017

Pastel on architects vellum
61 × 32 3/10 × 1 4/5 in
155 × 82 × 4.5 cm
This is a unique work.
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About the work
Medium
Drawing, Collage or other Work on Paper
Signature
A certificate of authenticity is available.
Image rights
VI, VII, Oslo
Than Hussein Clark
American, b. 1981
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Exploring authenticity, gay culture, and theatricality, Than Hussein Clark constructs interiors in order to reveal underlying aesthetic values. His Waves installation incorporates a hand-tufted carpet constructed to look like a gilded stucco ceiling, ornamental bronzes, wooden stools, and painted curtains to impose a spatial and functional reversal on Viennese Neo-Rococo and Japonisme architectures. The intent of such works is to address citizenship, anxieties, aspirations, and aesthetics. Clark has further appropriated aesthetic objects, as in the case of Cancellation: Binoculars, which cuts porcelain vessels by Edmund de Waal into new forms, or Cancellation: Cigarettes, which reconstructs a rare photograph of Henry James into a piece of drug paraphernalia. With authenticity as his raw material, Clark reworks existing objects to explore notions of reality and artistry.

Than Hussein Clark, ‘La Voixe Humaine (Préparation)’, 2017, VI, VII
Save
Save
Share
Share
About the work
Medium
Drawing, Collage or other Work on Paper
Signature
A certificate of authenticity is available.
Image rights
VI, VII, Oslo
Than Hussein Clark
American, b. 1981
Follow

Exploring authenticity, gay culture, and theatricality, Than Hussein Clark constructs interiors in order to reveal underlying aesthetic values. His Waves installation incorporates a hand-tufted carpet constructed to look like a gilded stucco ceiling, ornamental bronzes, wooden stools, and painted curtains to impose a spatial and functional reversal on Viennese Neo-Rococo and Japonisme architectures. The intent of such works is to address citizenship, anxieties, aspirations, and aesthetics. Clark has further appropriated aesthetic objects, as in the case of Cancellation: Binoculars, which cuts porcelain vessels by Edmund de Waal into new forms, or Cancellation: Cigarettes, which reconstructs a rare photograph of Henry James into a piece of drug paraphernalia. With authenticity as his raw material, Clark reworks existing objects to explore notions of reality and artistry.

La Voixe Humaine (Préparation), 2017

Pastel on architects vellum
61 × 32 3/10 × 1 4/5 in
155 × 82 × 4.5 cm
This is a unique work.
Contact For Price
Have a question? Visit our help center.
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