Thomas Eakins, ‘[Thomas Eakins and John Laurie Wallace on a Beach]’, ca. 1883, The Metropolitan Museum of Art
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Thomas Eakins

[Thomas Eakins and John Laurie Wallace on a Beach], ca. 1883

Platinum print
10 1/16 × 8 1/16 in
25.6 × 20.5 cm
About the work
Medium
Photography
Image rights
The Metropolitan Museum of Art (David Hunter McAlpin Fund, 1943), licensed under CC0 1.0 Universal
Thomas Eakins
American, 1844–1916
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Thomas Eakins was at the forefront of Realist painters who shifted the focus of American art from landscape to the figural subjects favored by the European academies in the 19th century. Working in oil, watercolor, sculpture and photography, Eakins is renowned for his pictures of outdoor activities and portraits of intense, brooding figures—many of whom were his friends and acquaintances—pictured in darkened interiors. Influenced by the motion studies of Eadweard Muybridge, Eakins was fascinated by the male physique, often unabashedly photographing his models in full nudity while boxing or wrestling. Viewing photographs as discrete works of art on paper, Eakins not only changed the status of photography as an art form but also introduced the camera as a tool in the American art studio.

Thomas Eakins, ‘[Thomas Eakins and John Laurie Wallace on a Beach]’, ca. 1883, The Metropolitan Museum of Art
Save
Save
View
View in room
Share
Share
About the work
Medium
Photography
Image rights
The Metropolitan Museum of Art (David Hunter McAlpin Fund, 1943), licensed under CC0 1.0 Universal
Thomas Eakins
American, 1844–1916
Follow

Thomas Eakins was at the forefront of Realist painters who shifted the focus of American art from landscape to the figural subjects favored by the European academies in the 19th century. Working in oil, watercolor, sculpture and photography, Eakins is renowned for his pictures of outdoor activities and portraits of intense, brooding figures—many of whom were his friends and acquaintances—pictured in darkened interiors. Influenced by the motion studies of Eadweard Muybridge, Eakins was fascinated by the male physique, often unabashedly photographing his models in full nudity while boxing or wrestling. Viewing photographs as discrete works of art on paper, Eakins not only changed the status of photography as an art form but also introduced the camera as a tool in the American art studio.

Thomas Eakins

[Thomas Eakins and John Laurie Wallace on a Beach], ca. 1883

Platinum print
10 1/16 × 8 1/16 in
25.6 × 20.5 cm
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