The New York Subway in More Than 50 Years of Art
PROPERTY FROM A DISTINGUISHED AMERICAN COLLECTION
Signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, light-staining and pale uneven mat staining, framed
Image: 8 ¾ x 13 ¼ in. (222 x 337 mm.)
Sheet: 10 ¾ x 15 in. (273 x 381 mm.)
One of the central artists associated with the American Regionalism movement, Thomas Hart Benton strayed from the modernist trend toward abstraction in favor of a more representational, though stylized, approach. A native of the American Midwest, Benton made paintings and drawings depicting the realities of agrarian life and the pressures of industrialization. Benton regularly incorporated quintessentially American icons of progress in his images, including railroads, cars, and factories. Benton’s treatment of this subject matter points to an underlying social commentary on the tension between rural and city life and the disparity between idealized imagery and harsh reality.
American, 1889-1975, Neosho, Missouri, based in Missouri, United States