Thomas Macker, ‘La Mort et le bûcheron, Jean-Francois Millet, 1859’, 2012, Klowden Mann

Framed

About Thomas Macker

Drawing predominantly from the experiences of people living in the rural American Midwest, Thomas Macker creates conceptual video, photography, and sculptural works. In videos he has explored hydraulic fracturing wells, using a green screen to document and rhapsodize about the ecological tradeoffs of industrial development. He has also employed materials like farm signs and empty grain bags as formal elements in stylized documentary tableaux of modern pastoral life. Macker’s work reveals layers of imagistic associations, records of experience, and deeper conceptual interrogations of social relations and formalist tropes. “As an artist I essay to make contact with the sublime, the numinous, the mysterium tremendum,” he says. “This is especially urgent now in an era of shallow cleverness, technology-drunk speed, scientism, blind progress.”

American, b. 1982, Los Angeles, CA, United States, based in Jackson, WY, United States

Solo Shows on Artsy

2017
Thomas Macker: Holdout, Klowden Mann, Culver City
2015
Thomas Macker: ⁂ (Asterism), Klowden Mann, Culver City