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Thomas Ruff

ch.phg.06, 2014

Chromogenic print, face-mounted to Plexiglas.
Edition 3/4
Bidding closed
About the work
Bibliography
Provenance
P
Phillips

64 1/2 x 107 1/8 in. (163.8 x 272.1 cm)
Overall 72 1/2 x 115 in. (184.2 x 292.1 cm)

Over his …

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64 1/2 x 107 1/8 in. (163.8 x 272.1 cm)
Overall 72 1/2 x 115 in. (184.2 x 292.1 cm)

Over his four-decade career Thomas Ruff has created one of the most diverse bodies of work of any of the Düsseldorf-trained photographers. Steeped in the documentary style of his mentors Bernd and Hilla Becher, Ruff first explored the …

Read more
Signature
Signed, titled, dated and numbered 3/4 in pencil on the reverse of the backing board.
Thomas Ruff
German, b. 1958
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Thomas Ruff uses technological advancements to realize new visual possibilities of photography and …

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Thomas Ruff uses technological advancements to realize new visual possibilities of photography and question its artistic qualities. “I don’t believe in the psychologizing portrait photography that my colleagues do, trying to capture the character with a lot of light and shade,” he says. “That’s absolutely suspect to …

Read more
Save
Save
share
Share
Save
Save
share
Share
About the work
Bibliography
Provenance
P
Phillips

64 1/2 x 107 1/8 in. (163.8 x 272.1 cm)
Overall 72 1/2 x 115 in. (184.2 x 292.1 cm)

Over his …

Read more

64 1/2 x 107 1/8 in. (163.8 x 272.1 cm)
Overall 72 1/2 x 115 in. (184.2 x 292.1 cm)

Over his four-decade career Thomas Ruff has created one of the most diverse bodies of work of any of the Düsseldorf-trained photographers. Steeped in the documentary style of his mentors Bernd and Hilla Becher, Ruff first explored the …

Read more
Signature
Signed, titled, dated and numbered 3/4 in pencil on the reverse of the backing board.
Thomas Ruff
German, b. 1958
Follow

Thomas Ruff uses technological advancements to realize new visual possibilities of photography and …

Read more

Thomas Ruff uses technological advancements to realize new visual possibilities of photography and question its artistic qualities. “I don’t believe in the psychologizing portrait photography that my colleagues do, trying to capture the character with a lot of light and shade,” he says. “That’s absolutely suspect to …

Read more

Thomas Ruff

ch.phg.06, 2014

Chromogenic print, face-mounted to Plexiglas.
Edition 3/4
Bidding closed
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