Thomas Schütte, ‘Weinende Frau’, 2009, Fondation Louis Vuitton
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Thomas Schütte

Weinende Frau, 2009

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About the work
Exhibition history
Fondation Louis Vuitton
Paris

Collection: Fondation Louis Vuitton, Paris

Medium
Sculpture
Image rights
© Fondation Louis Vuitton /Martin Argyroglo © ADAGP, Paris 2014
Thomas Schütte
German, b. 1954
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Since the late 1970s—when he studied with renowned German artist Gerhard Richter—Thomas Schütte has been subverting traditional art historical genres through his eclectic output of sculptures, prints, installations, drawings, watercolors, and photographs. Schütte makes familiar forms of expression, like memorial portraiture and figurative sculpture, strange through evocative, often disturbing alterations, such as in his treatment of the female nude in his “Bronzefrauen” series (Bronze Women, 1999-ongoing) where figurative shapes morph into abstract or mutant forms, or his “Alte Freunde” series, in which the subjects’ despondent expressions highlight the vulnerability of the individual against the cruelty and complexity of the vast world. Through his work he explores the human condition, offering a critical perspective on social, cultural, and political issues and visually eloquent commentary on memory, loss, and the difficulty of memorializing the past.

Thomas Schütte, ‘Weinende Frau’, 2009, Fondation Louis Vuitton
Save
Save
Share
Share
About the work
Exhibition history
Fondation Louis Vuitton
Paris

Collection: Fondation Louis Vuitton, Paris

Medium
Sculpture
Image rights
© Fondation Louis Vuitton /Martin Argyroglo © ADAGP, Paris 2014
Thomas Schütte
German, b. 1954
Follow

Since the late 1970s—when he studied with renowned German artist Gerhard Richter—Thomas Schütte has been subverting traditional art historical genres through his eclectic output of sculptures, prints, installations, drawings, watercolors, and photographs. Schütte makes familiar forms of expression, like memorial portraiture and figurative sculpture, strange through evocative, often disturbing alterations, such as in his treatment of the female nude in his “Bronzefrauen” series (Bronze Women, 1999-ongoing) where figurative shapes morph into abstract or mutant forms, or his “Alte Freunde” series, in which the subjects’ despondent expressions highlight the vulnerability of the individual against the cruelty and complexity of the vast world. Through his work he explores the human condition, offering a critical perspective on social, cultural, and political issues and visually eloquent commentary on memory, loss, and the difficulty of memorializing the past.

Thomas Schütte

Weinende Frau, 2009

Want to sell a work by this artist? Consign with Artsy.
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