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Thomas Struth, ‘Iglesia de San Francisco, Lima, Peru’, 2003, Sotheby's
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Thomas Struth

Iglesia de San Francisco, Lima, Peru, 2003

Chromogenic print
72 4/5 × 94 7/10 in
184.8 × 240.6 cm
Edition 3/10
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
Provenance
S
Sotheby's

From Generation to Generation: Important Photographs from the Ames Collection

Diasec-mounted, …

Medium
Photography
Thomas Struth
German, b. 1954
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Thomas Struth takes mesmerizing photographs that express his belief in photography as “a tool of scientific origin for psychological exploration.” He began taking pictures in 1976, influenced by his studies with three of the most important contemporary German artists of the time—painter and mixed media artist Gerhard Richter and photographers Bernd and Hilla Becher. After his early black-and-white series of deadpan views of cityscapes eerily devoid of any signs of urban life, in 1989, Struth began work on his best-known cycle, the “Museum Photographs.” In these large-format, color-saturated photographs, Struth captures individuals and crowds looking at famous works of Western art in the world’s most popular museums. While looking at the “Museum Photographs,” viewers are confronted with the act of looking itself and the social complexities of seeing and being seen.

Thomas Struth, ‘Iglesia de San Francisco, Lima, Peru’, 2003, Sotheby's
Save
Save
View
View in room
Share
Share
About the work
Bibliography
Provenance
S
Sotheby's

From Generation to Generation: Important Photographs from the Ames Collection

Diasec-mounted, framed, the photographer's label, signed in ink and with typed title, date, and edition number, on the reverse, no. 3 in an edition of 10.

Medium
Photography
Thomas Struth
German, b. 1954
Follow

Thomas Struth takes mesmerizing photographs that express his belief in photography as “a tool of scientific origin for psychological exploration.” He began taking pictures in 1976, influenced by his studies with three of the most important contemporary German artists of the time—painter and mixed media artist Gerhard Richter and photographers Bernd and Hilla Becher. After his early black-and-white series of deadpan views of cityscapes eerily devoid of any signs of urban life, in 1989, Struth began work on his best-known cycle, the “Museum Photographs.” In these large-format, color-saturated photographs, Struth captures individuals and crowds looking at famous works of Western art in the world’s most popular museums. While looking at the “Museum Photographs,” viewers are confronted with the act of looking itself and the social complexities of seeing and being seen.

Thomas Struth

Iglesia de San Francisco, Lima, Peru, 2003

Chromogenic print
72 4/5 × 94 7/10 in
184.8 × 240.6 cm
Edition 3/10
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Thomas Struth
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