The Struggle
The Struggle

About Timur Si-Qin

Timur Si-Qin belongs to a generation of new media artists often labeled "post-internet," who take our global, digital, and image-saturated world as a starting point for their work. Himself a product of many cultures—the Berlin-based artist of German and Mongolian-Chinese heritage grew up in Beijing and America—Si-Qin uses commercial imagery and products to expose the feedback loop between visual culture and human life. His series Premier Machine Funerary memorializes human evolution with 3D-printed replicas of protohuman bones resting in environments of advertising imagery. If, as the artist states, “technology and culture are as much a product of nature as seashells and termite mounds,” his work seems to suggest that even superficial tropes in advertising relate to biological needs and desires.

Group Shows on Artsy

2015
Image Objects, Public Art Fund, New York
2014
REFRACTION. THE IMAGE OF SENSE, Blain | Southern, London