Tom Friedman, ‘Clown’, 2018, Drawing, Collage or other Work on Paper, Coloured pencil and watercolour on paper, Stephen Friedman Gallery
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Tom Friedman

Clown, 2018

Coloured pencil and watercolour on paper
63 1/10 × 50 1/5 in
160.2 × 127.6 cm
.
$100,000 - 150,000
Location
London , London
Have a question? Visit our help center.
About the work
Medium
Frame
Included
Tom Friedman
American, b. 1965
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Tom Friedman’s sculpture is recognizable for its highly inventive and idiosyncratic use of materials like Styrofoam, foil, paper, clay, wire, plastic, hair, and fuzz. Working autobiographically, Friedman uses painstaking, labor-intensive methods to recreate seemingly random elements from his life. In each piece, he pays obsessive attention to detail, particularly in the replication of the objects that surround him. In Untitled (Bouquet) (2010), random objects appear to balance precariously on top of a studio crate, but the crate is actually made from Styrofoam and painted to look like a crate. “Art, for me, is a context to slow the viewer’s experience from their everyday life in order to think about things they haven’t thought about,” Friedman explains. “Or to think in a new way.”

Tom Friedman, ‘Clown’, 2018, Drawing, Collage or other Work on Paper, Coloured pencil and watercolour on paper, Stephen Friedman Gallery
Save
Save
View
View in room
Share
Share
About the work
Medium
Frame
Included
Tom Friedman
American, b. 1965
Follow

Tom Friedman’s sculpture is recognizable for its highly inventive and idiosyncratic use of materials like Styrofoam, foil, paper, clay, wire, plastic, hair, and fuzz. Working autobiographically, Friedman uses painstaking, labor-intensive methods to recreate seemingly random elements from his life. In each piece, he pays obsessive attention to detail, particularly in the replication of the objects that surround him. In Untitled (Bouquet) (2010), random objects appear to balance precariously on top of a studio crate, but the crate is actually made from Styrofoam and painted to look like a crate. “Art, for me, is a context to slow the viewer’s experience from their everyday life in order to think about things they haven’t thought about,” Friedman explains. “Or to think in a new way.”

Tom Friedman

Clown, 2018

Coloured pencil and watercolour on paper
63 1/10 × 50 1/5 in
160.2 × 127.6 cm
.
$100,000 - 150,000
Location
London , London
Have a question? Visit our help center.
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