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Tom Wesselmann

Claire with Robe Half Off (Vivienne), from Portfolio 90, 1993

Screenprint in colors, on Museum Board, with full margins
61 × 48 3/10 in
154.9 × 122.6 cm
Edition 78/90 + 12AP
This is part of a limited edition set.
Bidding closed
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About the work
P
Phillips

Image: 50 1/4 x 38 in. (127.6 x 96.5 cm)
Sheet: 61 x 48 1/4 in. (154.9 x 122.6 cm)
Framed

Image: 50 1/4 x 38 in. (127.6 x 96.5 cm)
Sheet: 61 x 48 1/4 in. (154.9 x 122.6 cm)
Framed

Signature
Signed and numbered 78/90 in pencil (there were also 12 artist's proofs)
Publisher
International Images, Inc., Putney, Vermont (with their blindstamp)
Tom Wesselmann
American, 1931–2004
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Tom Wesselmann is considered one of the major artists of New York Pop Art, along with Roy Lichtenstein and Andy Warhol. Best known for his 1960s series “Great American Nude,” which featured flat figures in an intense palette of red, white, blue, and other patriotic colors, Wesselmann, in an effort to reject Abstract Expressionism, made collages and assemblages that incorporated everyday objects and advertising ephemera. In the early 1980s, he produced his first "Metal Works,” in which he shaped canvases and cut metal to create abstract three-dimensional images. In his final years, Wesselmann returned to the female form in the “Sunset Nudes” series, where the compositions, abstract imagery, and sanguine moods recall the odalisques of Henri Matisse.

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View in room
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Save
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view
View in room
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About the work
P
Phillips

Image: 50 1/4 x 38 in. (127.6 x 96.5 cm)
Sheet: 61 x 48 1/4 in. (154.9 x 122.6 cm)
Framed

Image: 50 1/4 x 38 in. (127.6 x 96.5 cm)
Sheet: 61 x 48 1/4 in. (154.9 x 122.6 cm)
Framed

Signature
Signed and numbered 78/90 in pencil (there were also 12 artist's proofs)
Publisher
International Images, Inc., Putney, Vermont (with their blindstamp)
Tom Wesselmann
American, 1931–2004
Follow

Tom Wesselmann is considered one of the major artists of New York Pop Art, along with Roy Lichtenstein and Andy Warhol. Best known for his 1960s series “Great American Nude,” which featured flat figures in an intense palette of red, white, blue, and other patriotic colors, Wesselmann, in an effort to reject Abstract Expressionism, made collages and assemblages that incorporated everyday objects and advertising ephemera. In the early 1980s, he produced his first "Metal Works,” in which he shaped canvases and cut metal to create abstract three-dimensional images. In his final years, Wesselmann returned to the female form in the “Sunset Nudes” series, where the compositions, abstract imagery, and sanguine moods recall the odalisques of Henri Matisse.

Tom Wesselmann

Claire with Robe Half Off (Vivienne), from Portfolio 90, 1993

Screenprint in colors, on Museum Board, with full margins
61 × 48 3/10 in
154.9 × 122.6 cm
Edition 78/90 + 12AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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