P
Phillips

vinyl image 20.3 x 41 cm (7 7/8 x 16 1/8 in.)
S. 50.7 x 60.7 cm (19 7/8 x 23 7/8 in.)

Medium
Signature
Signed and numbered 116/200 in pencil (there were also 50 artist's proofs), published by Original Editions, New York, framed.

Tom Wesselmann is considered one of the major artists of New York Pop Art, along with Roy Lichtenstein and Andy Warhol. Best known for his 1960s series “Great American Nude,” which featured flat figures in an intense palette of red, white, blue, and other patriotic colors, Wesselmann, in an effort to reject Abstract Expressionism, made collages and assemblages that incorporated everyday objects and advertising ephemera. In the early 1980s, he produced his first "Metal Works,” in which he shaped canvases and cut metal to create abstract three-dimensional images. In his final years, Wesselmann returned to the female form in the “Sunset Nudes” series, where the compositions, abstract imagery, and sanguine moods recall the odalisques of Henri Matisse.

High auction record
$10.7m, Sotheby's, 2008
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions
2019
Tom WesselmannAlmine Rech
Tom Wesselmann: FlowersGagosian
2018
Wesselmann: 1963–1983Gagosian
View all

Cut-Out Nude, from 11 Pop Artists, Volume I, 1965

Screenprint in colours, on formed vinyl with die-cut mat.
Edition 116/200 + 50AP
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P
Phillips

vinyl image 20.3 x 41 cm (7 7/8 x 16 1/8 in.)
S. 50.7 x 60.7 cm (19 7/8 x 23 7/8 in.)

Medium
Signature
Signed and numbered 116/200 in pencil (there were also 50 artist's proofs), published by Original Editions, New York, framed.

Tom Wesselmann is considered one of the major artists of New York Pop Art, along with Roy Lichtenstein and Andy Warhol. Best known for his 1960s series “Great American Nude,” which featured flat figures in an intense palette of red, white, blue, and other patriotic colors, Wesselmann, in an effort to reject Abstract Expressionism, made collages and assemblages that incorporated everyday objects and advertising ephemera. In the early 1980s, he produced his first "Metal Works,” in which he shaped canvases and cut metal to create abstract three-dimensional images. In his final years, Wesselmann returned to the female form in the “Sunset Nudes” series, where the compositions, abstract imagery, and sanguine moods recall the odalisques of Henri Matisse.

High auction record
$10.7m, Sotheby's, 2008
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
Other works by Tom Wesselmann
Related works