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Tom Wesselmann

Seascape (Foot), 1968

Screenprint in colors
24 × 23 3/5 in
61 × 60 cm
Bidding closed
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About the work
S
Sotheby's

Signed in pencil, dated and numbered 112/150, from the edition 68 portfolio, on wove paper, printed …

Read more

Signed in pencil, dated and numbered 112/150, from the edition 68 portfolio, on wove paper, printed by documenta-Foundation, Kassel.

image: 460 by 458 mm 18 1/8 by 18 in
sheet: 610 by 600 mm 24 by 23 5/8 in

Medium
Print
Tom Wesselmann
American, 1931–2004
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Tom Wesselmann is considered one of the major artists of New York Pop Art, along with Roy Lichtenstein and Andy Warhol. Best known for his 1960s series “Great American Nude,” which featured flat figures in an intense palette of red, white, blue, and other patriotic colors, Wesselmann, in an effort to reject Abstract Expressionism, made collages and assemblages that incorporated everyday objects and advertising ephemera. In the early 1980s, he produced his first "Metal Works,” in which he shaped canvases and cut metal to create abstract three-dimensional images. In his final years, Wesselmann returned to the female form in the “Sunset Nudes” series, where the compositions, abstract imagery, and sanguine moods recall the odalisques of Henri Matisse.

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View in room
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About the work
S
Sotheby's

Signed in pencil, dated and numbered 112/150, from the edition 68 portfolio, on wove paper, printed …

Read more

Signed in pencil, dated and numbered 112/150, from the edition 68 portfolio, on wove paper, printed by documenta-Foundation, Kassel.

image: 460 by 458 mm 18 1/8 by 18 in
sheet: 610 by 600 mm 24 by 23 5/8 in

Medium
Print
Tom Wesselmann
American, 1931–2004
Follow

Tom Wesselmann is considered one of the major artists of New York Pop Art, along with Roy Lichtenstein and Andy Warhol. Best known for his 1960s series “Great American Nude,” which featured flat figures in an intense palette of red, white, blue, and other patriotic colors, Wesselmann, in an effort to reject Abstract Expressionism, made collages and assemblages that incorporated everyday objects and advertising ephemera. In the early 1980s, he produced his first "Metal Works,” in which he shaped canvases and cut metal to create abstract three-dimensional images. In his final years, Wesselmann returned to the female form in the “Sunset Nudes” series, where the compositions, abstract imagery, and sanguine moods recall the odalisques of Henri Matisse.

Tom Wesselmann

Seascape (Foot), 1968

Screenprint in colors
24 × 23 3/5 in
61 × 60 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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