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D
Doyle

numbered 817/1000 verso, from the Rubber Stamp Portfolio, published by Parasol Press Ltd., New York, with full margins, in original paper envelope.

Sheet: 8 x 8 inches; 203 x 203 mm.

Medium

Tom Wesselmann is considered one of the major artists of New York Pop Art, along with Roy Lichtenstein and Andy Warhol. Best known for his 1960s series “Great American Nude,” which featured flat figures in an intense palette of red, white, blue, and other patriotic colors, Wesselmann, in an effort to reject Abstract Expressionism, made collages and assemblages that incorporated everyday objects and advertising ephemera. In the early 1980s, he produced his first "Metal Works,” in which he shaped canvases and cut metal to create abstract three-dimensional images. In his final years, Wesselmann returned to the female form in the “Sunset Nudes” series, where the compositions, abstract imagery, and sanguine moods recall the odalisques of Henri Matisse.

High auction record
$10.7m, Sotheby's, 2008
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions
2019
Tom WesselmannAlmine Rech
Tom Wesselmann: FlowersGagosian
2018
Wesselmann: 1963–1983Gagosian
View all

Shiny Nude, 1977

Color rubber stamp, on Kromekote paper
Edition 817/1000
.
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D
Doyle

numbered 817/1000 verso, from the Rubber Stamp Portfolio, published by Parasol Press Ltd., New …

Medium

Tom Wesselmann is considered one of the major artists of New York Pop Art, along with Roy Lichtenstein and Andy Warhol. Best known for his 1960s series “Great American Nude,” which featured flat figures in an intense palette of red, white, blue, and other patriotic colors, Wesselmann, in an effort to reject Abstract Expressionism, made collages and assemblages that incorporated everyday objects and advertising ephemera. In the early 1980s, he produced his first "Metal Works,” in which he shaped canvases and cut metal to create abstract three-dimensional images. In his final years, Wesselmann returned to the female form in the “Sunset Nudes” series, where the compositions, abstract imagery, and sanguine moods recall the odalisques of Henri Matisse.

High auction record
$10.7m, Sotheby's, 2008
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
Other works by Tom Wesselmann
Related works