Tony Cragg, ‘HEDGE’, 2015, Tucci Russo Studio per l'Arte Contemporanea

Tucci Russo Studio per l'Arte Contemporanea, Torre Pellice: TONY CRAGG "Skulls etc.", 19.03 | 30.07.2017

"TONY CRAGG. UNNATURAL SELECTION", Hessisches Landesmuseum, Darmstadt/Hirmer, Munich 2016, pag. 79
"Tony Cragg. Sculptures and works on paper", Ed. Ludwig Museum, Koblenz - Museo Nacional de Bellas Artes, Havanna / Silvana Editoriale, Cinisello Balsamo 2017, prima di copertina, pag. 57

About Tony Cragg

Turner Prize-winning sculptor Tony Cragg emerged in the late 1970s with a bold practice that questioned and tested the limits of a wide variety of traditional sculptural materials, including bronze, steel, glass, wood, and stone. “I’m an absolute materialist, and for me material is exciting and ultimately sublime,” he has said. Eschewing factory fabrication of his works, Cragg has been known to merge contemporary industrial materials with the suggestion of the functional forms of mundane objects and ancient vessels—like jars, bottles, and test tubes—resulting in sublime, sinuous, and twisting forms. One of his best-known works is Terris Novalis (1997), an enormous, enigmatic public steel sculpture of engineering instruments. “When I’m involved in making sculpture, I’m looking for a system of belief or ethics in the material,” he says. “I want that material to have a dynamic, to push and move and grow.

British, b. 1949, Liverpool, United Kingdom, based in Wuppertal, Germany

Solo Shows

Museo Nivola, 
Orani, Italy,
Endless Form
Fundación Hortensia Herrero, 
Valencia, Spain,
Seis Esculturas
Düsseldorf, Germany,
Tony Cragg
View Artist's CV