Tony Cragg, ‘It is, It isn't’, 2010, Sculpture, Bronze, Nou Gallery
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Tony Cragg

It is, It isn't, 2010

Bronze
95 3/10 × 47 1/5 × 43 3/10 in
242 × 120 × 110 cm
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About the work
Medium
Signature
Hand-signed by artist
Certificate of authenticity
Included
Tony Cragg
British, b. 1949
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Turner Prize-winning sculptor Tony Cragg emerged in the late 1970s with a bold practice that questioned and tested the limits of a wide variety of traditional sculptural materials, including bronze, steel, glass, wood, and stone. “I’m an absolute materialist, and for me material is exciting and ultimately sublime,” he has said. Eschewing factory fabrication of his works, Cragg has been known to merge contemporary industrial materials with the suggestion of the functional forms of mundane objects and ancient vessels—like jars, bottles, and test tubes—resulting in sublime, sinuous, and twisting forms. One of his best-known works is Terris Novalis (1997), an enormous, enigmatic public steel sculpture of engineering instruments. “When I’m involved in making sculpture, I’m looking for a system of belief or ethics in the material,” he says. “I want that material to have a dynamic, to push and move and grow.

Tony Cragg, ‘It is, It isn't’, 2010, Sculpture, Bronze, Nou Gallery
Save
Save
Share
Share
About the work
Medium
Signature
Hand-signed by artist
Certificate of authenticity
Included
Tony Cragg
British, b. 1949
Follow

Turner Prize-winning sculptor Tony Cragg emerged in the late 1970s with a bold practice that questioned and tested the limits of a wide variety of traditional sculptural materials, including bronze, steel, glass, wood, and stone. “I’m an absolute materialist, and for me material is exciting and ultimately sublime,” he has said. Eschewing factory fabrication of his works, Cragg has been known to merge contemporary industrial materials with the suggestion of the functional forms of mundane objects and ancient vessels—like jars, bottles, and test tubes—resulting in sublime, sinuous, and twisting forms. One of his best-known works is Terris Novalis (1997), an enormous, enigmatic public steel sculpture of engineering instruments. “When I’m involved in making sculpture, I’m looking for a system of belief or ethics in the material,” he says. “I want that material to have a dynamic, to push and move and grow.

Tony Cragg

It is, It isn't, 2010

Bronze
95 3/10 × 47 1/5 × 43 3/10 in
242 × 120 × 110 cm
Contact For Price
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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