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A Pull at the Back of the Mind, 2019

Charcoal, pastel and chalk on linen over Dibond panel
84 × 50 in
213.4 × 127 cm
Sold
location
New York, Kinderhook
Toyin Ojih Odutola
Nigerian, b. 1985
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Through black ballpoint pen ink, Toyin Odutola’s drawings question physical and sociopolitical …

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Through black ballpoint pen ink, Toyin Odutola’s drawings question physical and sociopolitical identities as they pertain to skin color. Treating skin as topography, she layers ink as a means of mapping a person’s subjective, individual geography built from real-life experiences. Her interest in surface qualities …

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Save
Save
view
View in room
share
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Save
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view
View in room
share
Share
Toyin Ojih Odutola
Nigerian, b. 1985
Follow

Through black ballpoint pen ink, Toyin Odutola’s drawings question physical and sociopolitical …

Read more

Through black ballpoint pen ink, Toyin Odutola’s drawings question physical and sociopolitical identities as they pertain to skin color. Treating skin as topography, she layers ink as a means of mapping a person’s subjective, individual geography built from real-life experiences. Her interest in surface qualities …

Read more

A Pull at the Back of the Mind, 2019

Charcoal, pastel and chalk on linen over Dibond panel
84 × 50 in
213.4 × 127 cm
Sold
location
New York, Kinderhook
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