Tracey Emin, ‘But Yea’, 2015, Sworders
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Tracey Emin

But Yea, 2015

Offset lithograph printed in colours
27 3/5 × 19 7/10 in
70 × 50 cm
Edition of 500
This is part of a limited edition set.
Bidding closed
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About the work
S
Sworders

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Medium
Print
Tracey Emin
British, b. 1963
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A prominent member of the Young British Artists (YBAs), Emin works in a wide range of mediums, including film, painting, neon, embroidery, drawing, installation, and sculpture. Her work is intensely personal, revealing intimate details of her life with brutal honesty and poetic humor. She has spoken of “the narcissism behind what I do—the self, self, self—and how difficult it is for me to really share things, even though I think I am sharing all the time.” This paradoxical approach—at once audacious and confessional, narcissistic and self-deprecatory—earned Emin a nomination for the Turner Prize in 1999. Though she did not win, Emin received significant acclaim for her installation titled My Bed, which featured the artist’s unmade bed surrounded by personal items (from slippers to empty liquor bottles, cigarette butts, and condoms), exploring the allegorical qualities of a bed as a place of birth, sex, and death.

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About the work
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Sworders

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Signed in silver pen, from the edition of 500 published by Emin International, on glossy wove paper, the full sheet printed to the edges, framed

Medium
Print
Tracey Emin
British, b. 1963
Follow

A prominent member of the Young British Artists (YBAs), Emin works in a wide range of mediums, including film, painting, neon, embroidery, drawing, installation, and sculpture. Her work is intensely personal, revealing intimate details of her life with brutal honesty and poetic humor. She has spoken of “the narcissism behind what I do—the self, self, self—and how difficult it is for me to really share things, even though I think I am sharing all the time.” This paradoxical approach—at once audacious and confessional, narcissistic and self-deprecatory—earned Emin a nomination for the Turner Prize in 1999. Though she did not win, Emin received significant acclaim for her installation titled My Bed, which featured the artist’s unmade bed surrounded by personal items (from slippers to empty liquor bottles, cigarette butts, and condoms), exploring the allegorical qualities of a bed as a place of birth, sex, and death.

Tracey Emin

But Yea, 2015

Offset lithograph printed in colours
27 3/5 × 19 7/10 in
70 × 50 cm
Edition of 500
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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Young British Artists (YBAs)