Tracey Emin, ‘Is Legal Sex Anal?’, 1998, Installation, Pink neon, Phillips
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Tracey Emin

Is Legal Sex Anal?, 1998

Pink neon
13 3/8 × 58 1/4 in
34 × 148 cm
Edition of 3
.
Bidding closed
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P
Phillips

Another work from this edition is in the Tate Modern, London permanent collection.

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Tracey Emin
British, b. 1963
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A prominent member of the Young British Artists (YBAs), Emin works in a wide range of mediums, including film, painting, neon, embroidery, drawing, installation, and sculpture. Her work is intensely personal, revealing intimate details of her life with brutal honesty and poetic humor. She has spoken of “the narcissism behind what I do—the self, self, self—and how difficult it is for me to really share things, even though I think I am sharing all the time.” This paradoxical approach—at once audacious and confessional, narcissistic and self-deprecatory—earned Emin a nomination for the Turner Prize in 1999. Though she did not win, Emin received significant acclaim for her installation titled My Bed, which featured the artist’s unmade bed surrounded by personal items (from slippers to empty liquor bottles, cigarette butts, and condoms), exploring the allegorical qualities of a bed as a place of birth, sex, and death.

Tracey Emin, ‘Is Legal Sex Anal?’, 1998, Installation, Pink neon, Phillips
Save
Save
View
View in room
Share
Share
P
Phillips

Another work from this edition is in the Tate Modern, London permanent collection.

Property Subject to VAT Section 4; Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Medium
Signature
Tracey Emin
British, b. 1963
Follow

A prominent member of the Young British Artists (YBAs), Emin works in a wide range of mediums, including film, painting, neon, embroidery, drawing, installation, and sculpture. Her work is intensely personal, revealing intimate details of her life with brutal honesty and poetic humor. She has spoken of “the narcissism behind what I do—the self, self, self—and how difficult it is for me to really share things, even though I think I am sharing all the time.” This paradoxical approach—at once audacious and confessional, narcissistic and self-deprecatory—earned Emin a nomination for the Turner Prize in 1999. Though she did not win, Emin received significant acclaim for her installation titled My Bed, which featured the artist’s unmade bed surrounded by personal items (from slippers to empty liquor bottles, cigarette butts, and condoms), exploring the allegorical qualities of a bed as a place of birth, sex, and death.

Tracey Emin

Is Legal Sex Anal?, 1998

Pink neon
13 3/8 × 58 1/4 in
34 × 148 cm
Edition of 3
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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