Tracey Emin, ‘More Margate - More Past’, 2006, Peter Harrington Gallery

This is one of 23 prints that were collected “In The Darkest Hour There May Be Light” portfolio published to coincide with Damien Hirst’s Murderme collection of works shown at the Serpentine Gallery, 25 November 2006 – 28 January 2007.

Signature: Signed, numbered and dated in pencil lower right by Emin, titled lower left.

Publisher: Serpentine Gallery and Other Criteria

About Tracey Emin

A prominent member of the Young British Artists (YBAs), Emin works in a wide range of mediums, including film, painting, neon, embroidery, drawing, installation, and sculpture. Her work is intensely personal, revealing intimate details of her life with brutal honesty and poetic humor. She has spoken of “the narcissism behind what I do—the self, self, self—and how difficult it is for me to really share things, even though I think I am sharing all the time.” This paradoxical approach—at once audacious and confessional, narcissistic and self-deprecatory—earned Emin a nomination for the Turner Prize in 1999. Though she did not win, Emin received significant acclaim for her installation titled My Bed, which featured the artist’s unmade bed surrounded by personal items (from slippers to empty liquor bottles, cigarette butts, and condoms), exploring the allegorical qualities of a bed as a place of birth, sex, and death.

British, b. 1963, Croydon, United Kingdom, based in London, United Kingdom

Solo Shows

2017
Brussels,
Tracey Emin — The Memory of your Touch
2014
London, UK,
The Last Great Adventure is You
2012
São Paulo, State of São Paulo, Brazil,
You Don't Believe in Love But I Believe in You
2011
London, UK,
Tracey Emin - The Vanishing Lake
2009
London, UK,
Those who suffer Love
2005
London, UK,
When I Think about Sex...
2001
London, UK,
You forgot to kiss my soul
1993
London, UK,
My Major Retrospective 1963-1993
View Artist's CV