Tracey Emin, ‘Red, White and Fucking Blue’, 2002, Installation, Red, white and blue neon, Phillips
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Tracey Emin

Red, White and Fucking Blue, 2002

Red, white and blue neon
19 3/5 × 66 9/10 in
49.8 × 169.9 cm
Bidding closed
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About the work
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Provenance
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Phillips

Property from a Distinguished Private Collection

This work is accompanied by a certificate of …

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Tracey Emin
British, b. 1963
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A prominent member of the Young British Artists (YBAs), Emin works in a wide range of mediums, including film, painting, neon, embroidery, drawing, installation, and sculpture. Her work is intensely personal, revealing intimate details of her life with brutal honesty and poetic humor. She has spoken of “the narcissism behind what I do—the self, self, self—and how difficult it is for me to really share things, even though I think I am sharing all the time.” This paradoxical approach—at once audacious and confessional, narcissistic and self-deprecatory—earned Emin a nomination for the Turner Prize in 1999. Though she did not win, Emin received significant acclaim for her installation titled My Bed, which featured the artist’s unmade bed surrounded by personal items (from slippers to empty liquor bottles, cigarette butts, and condoms), exploring the allegorical qualities of a bed as a place of birth, sex, and death.

Tracey Emin, ‘Red, White and Fucking Blue’, 2002, Installation, Red, white and blue neon, Phillips
Save
Save
View
View in room
Share
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About the work
Bibliography
Provenance
P
Phillips

Property from a Distinguished Private Collection

This work is accompanied by a certificate of authenticity signed by the artist.

Medium
Tracey Emin
British, b. 1963
Follow

A prominent member of the Young British Artists (YBAs), Emin works in a wide range of mediums, including film, painting, neon, embroidery, drawing, installation, and sculpture. Her work is intensely personal, revealing intimate details of her life with brutal honesty and poetic humor. She has spoken of “the narcissism behind what I do—the self, self, self—and how difficult it is for me to really share things, even though I think I am sharing all the time.” This paradoxical approach—at once audacious and confessional, narcissistic and self-deprecatory—earned Emin a nomination for the Turner Prize in 1999. Though she did not win, Emin received significant acclaim for her installation titled My Bed, which featured the artist’s unmade bed surrounded by personal items (from slippers to empty liquor bottles, cigarette butts, and condoms), exploring the allegorical qualities of a bed as a place of birth, sex, and death.

Tracey Emin

Red, White and Fucking Blue, 2002

Red, white and blue neon
19 3/5 × 66 9/10 in
49.8 × 169.9 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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