Tracey Emin, ‘These Feelings Were True II’, 2020, Print, Lithograph on paper, Hang-Up Gallery
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Tracey Emin

These Feelings Were True II, 2020

Lithograph on paper
22 × 18 1/10 in
56 × 46 cm
.
Contact For Price
Location
London
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About the work
Medium
Signature
Hand-signed by artist
Frame
Not included
Tracey Emin
British, b. 1963
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A prominent member of the Young British Artists (YBAs), Emin works in a wide range of mediums, including film, painting, neon, embroidery, drawing, installation, and sculpture. Her work is intensely personal, revealing intimate details of her life with brutal honesty and poetic humor. She has spoken of “the narcissism behind what I do—the self, self, self—and how difficult it is for me to really share things, even though I think I am sharing all the time.” This paradoxical approach—at once audacious and confessional, narcissistic and self-deprecatory—earned Emin a nomination for the Turner Prize in 1999. Though she did not win, Emin received significant acclaim for her installation titled My Bed, which featured the artist’s unmade bed surrounded by personal items (from slippers to empty liquor bottles, cigarette butts, and condoms), exploring the allegorical qualities of a bed as a place of birth, sex, and death.

Tracey Emin, ‘These Feelings Were True II’, 2020, Print, Lithograph on paper, Hang-Up Gallery
Save
Save
View
View in room
Share
Share
About the work
Medium
Signature
Hand-signed by artist
Frame
Not included
Tracey Emin
British, b. 1963
Follow

A prominent member of the Young British Artists (YBAs), Emin works in a wide range of mediums, including film, painting, neon, embroidery, drawing, installation, and sculpture. Her work is intensely personal, revealing intimate details of her life with brutal honesty and poetic humor. She has spoken of “the narcissism behind what I do—the self, self, self—and how difficult it is for me to really share things, even though I think I am sharing all the time.” This paradoxical approach—at once audacious and confessional, narcissistic and self-deprecatory—earned Emin a nomination for the Turner Prize in 1999. Though she did not win, Emin received significant acclaim for her installation titled My Bed, which featured the artist’s unmade bed surrounded by personal items (from slippers to empty liquor bottles, cigarette butts, and condoms), exploring the allegorical qualities of a bed as a place of birth, sex, and death.

Tracey Emin

These Feelings Were True II, 2020

Lithograph on paper
22 × 18 1/10 in
56 × 46 cm
.
Contact For Price
Location
London
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Tracey Emin
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