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Ulrich Lamsfuss

Guggenheim (Thomas Krens), 1998

Oil on canvas with painted tape strip
31 1/2 × 39 2/5 in
80 × 100 cm
This is a unique work.
Contact For Price
location
Tel Aviv, Geneva, Jerusalem
Have a question? Read our FAQ.
About the work
Provenance
Medium
Painting
Condition
Excellent
Signature
Hand-signed by artist
Frame
Included
Ulrich Lamsfuss
German, b. 1971
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Stating, “What I see is what you get,” Ulrich Lamsfuss trolls mass media and archival sources for photographs—including luxury brand advertisements, documentary images, nature photography, and fashion spreads—which he transforms into faithfully reproduced oil-on-canvas paintings. Ranging from small- to large-scale, his lush, painterly compositions take weeks to produce, in notable and deliberate contradistinction to his source photographs, formed in an instant. Lamsfuss studied at the renowned Dusseldorf Art Academy under Georg Baselitz, gaining an appreciation for the expressive potential of the painted gesture and the primacy of subject matter—which he turns on its head. By painting a decidedly random assortment of images, some of which he duplicates across multiple canvases, he aims to dispense with subject matter, ideas, and larger themes altogether. Mimicking our image-saturated reality, his work is, quite literally, what we happen to see.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Provenance
Medium
Painting
Condition
Excellent
Signature
Hand-signed by artist
Frame
Included
Ulrich Lamsfuss
German, b. 1971
Follow

Stating, “What I see is what you get,” Ulrich Lamsfuss trolls mass media and archival sources for photographs—including luxury brand advertisements, documentary images, nature photography, and fashion spreads—which he transforms into faithfully reproduced oil-on-canvas paintings. Ranging from small- to large-scale, his lush, painterly compositions take weeks to produce, in notable and deliberate contradistinction to his source photographs, formed in an instant. Lamsfuss studied at the renowned Dusseldorf Art Academy under Georg Baselitz, gaining an appreciation for the expressive potential of the painted gesture and the primacy of subject matter—which he turns on its head. By painting a decidedly random assortment of images, some of which he duplicates across multiple canvases, he aims to dispense with subject matter, ideas, and larger themes altogether. Mimicking our image-saturated reality, his work is, quite literally, what we happen to see.

Ulrich Lamsfuss

Guggenheim (Thomas Krens), 1998

Oil on canvas with painted tape strip
31 1/2 × 39 2/5 in
80 × 100 cm
This is a unique work.
Contact For Price
location
Tel Aviv, Geneva, Jerusalem
Have a question? Read our FAQ.
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