Urs Fischer, ‘To be Titled’, 2011, Sotheby's: Contemporary Art Day Auction

From the Catalogue

"As an artist you compete with reality, and the order of reality is always more interesting than the order you can make. But because you make the order it becomes information versus just existing." —Urs Fischer

Courtesy of Sotheby's

Signature: signed, dated 2011 and numbered 1/2 + 2AP on the underside

Gavin Brown's Enterprise, New York
Acquired from the above by the present owner

About Urs Fischer

When featuring him in their 2006 Biennial, the Whitney Museum described Urs Fischer’s practice as “founded on a consideration of the nature of substances, the act of making, and the unpredictable processes that can result from combining the two.” Working in collage, drawing, sculpture, and most notably installation, Fischer transforms a host of materials to create his forms, from wood, clay, and glass to found objects, food, and wax. “Everybody likes objects; everybody likes different objects,” he has said. “It comes down to what objects you want to put in your art.” Fischer deliberately references art historical traditions like still lifes, portraits, and landscapes, but questions—and sometimes destroys—their authority through the use of impermanent materials. Some of his best known works include Untitled (Bread House) (2004), a Swiss chalet reconstructed in bread, and the hand-sculpted wax female nudes he melted as part of his “Kir Royal” exhibition.

Swiss, b. 1973, Zurich, Switzerland, based in Zurich and Los Angeles