Uta Barth, ‘Deep Blue Day (Untitled 12.7)’, 2012, Andréhn-Schiptjenko

The subject of a 2011 solo exhibition at The Art Institute of Chicago, Barth creates lush abstract photographs of incidental and subtle imagery found around her home.

About Uta Barth

Photographing exclusively in her own home, Uta Barth seeks to make viewers conscious of their own perceptual process in relationship to what they see in a gallery. “In most photographs the subject and the content are one and the same thing. My work is first and foremost about perception,” she explains. An early realization that using a camera lens changed how she saw things resulted in a visual acuity to the mundane and ephemeral. For instance, in her series “Ground” and “Field” (1992-98), Barth created images of blurry backgrounds by focusing her camera on empty foregrounds. In her recent three-part project “And to draw a bright white line with light” (2011), a ribbon of light streaming through a window ripples across a set of curtains, which Barth has drawn to manipulate the abstract forms cast through it’s openings. Barth was awarded a MacArthur Fellowship in 2012.

German, b. 1958, Berlin, Germany, based in California

Group Shows on Artsy

In Residence II, Oliver Sears Gallery, London