Medium
Signature
Hand-signed by artist, sticker label

Photographing exclusively in her own home, Uta Barth seeks to make viewers conscious of their own perceptual process in relationship to what they see in a gallery. “In most photographs the subject and the content are one and the same thing. My work is first and foremost about perception,” she explains. An early realization that using a camera lens changed how she saw things resulted in a visual acuity to the mundane and ephemeral. For instance, in her series “Ground” and “Field” (1992-98), Barth created images of blurry backgrounds by focusing her camera on empty foregrounds. In her recent three-part project “And to draw a bright white line with light” (2011), a ribbon of light streaming through a window ripples across a set of curtains, which Barth has drawn to manipulate the abstract forms cast through it’s openings. Barth was awarded a MacArthur Fellowship in 2012.

Established
Represented by industry leading galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions
2021
Uta Barth – In the Light and Shadow of MorandiAndréhn-Schiptjenko
2019
Mapping Space: Recent Acquisitions in FocusJ. Paul Getty Museum
2015
Another Minimalism: Art After California Light and SpaceThe Fruitmarket Gallery
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... and to draw a bright white line with light (Untitled 11.8), 2011

Inkjet print face-mounted against matte acrylic, framed in painted aluminum frame
37 1/2 × 55 3/4 in
95.3 × 141.6 cm
Edition of 6 + 2AP
.
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Location
Stockholm, Paris
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Medium
Signature
Hand-signed by artist, sticker label

Photographing exclusively in her own home, Uta Barth seeks to make viewers conscious of their own perceptual process in relationship to what they see in a gallery. “In most photographs the subject and the content are one and the same thing. My work is first and foremost about perception,” she explains. An early realization that using a camera lens changed how she saw things resulted in a visual acuity to the mundane and ephemeral. For instance, in her series “Ground” and “Field” (1992-98), Barth created images of blurry backgrounds by focusing her camera on empty foregrounds. In her recent three-part project “And to draw a bright white line with light” (2011), a ribbon of light streaming through a window ripples across a set of curtains, which Barth has drawn to manipulate the abstract forms cast through it’s openings. Barth was awarded a MacArthur Fellowship in 2012.

Established
Represented by industry leading galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions (3)
Other works by Uta Barth
Other works from Andréhn-Schiptjenko
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