Uta Barth, ‘Untitled (98.12)’, 1998, Phillips

Each 23 1/2 x 29 1/2 in. (59.7 x 74.9 cm)

Signature: Credited, titled and dated on a gallery label affixed to the reverse of each flush-mount.

Bonakdar Jancou Gallery, New York
Sotheby's, New York, Contemporary Art, Part 2, 15 November 2000, lot 150

About Uta Barth

Photographing exclusively in her own home, Uta Barth seeks to make viewers conscious of their own perceptual process in relationship to what they see in a gallery. “In most photographs the subject and the content are one and the same thing. My work is first and foremost about perception,” she explains. An early realization that using a camera lens changed how she saw things resulted in a visual acuity to the mundane and ephemeral. For instance, in her series “Ground” and “Field” (1992-98), Barth created images of blurry backgrounds by focusing her camera on empty foregrounds. In her recent three-part project “And to draw a bright white line with light” (2011), a ribbon of light streaming through a window ripples across a set of curtains, which Barth has drawn to manipulate the abstract forms cast through it’s openings. Barth was awarded a MacArthur Fellowship in 2012.

German, b. 1958, Berlin, Germany, based in California