Uta Barth, ‘Untitled # 1’, 2010, Tanya Bonakdar Gallery

Uta Barth: ... to walk without destination and to see only to see, Tanya Bonakdar Gallery, New York, May 6 – June 19, 2010.

Uta Barth, 1301 PE, Los Angeles, May 1 – June 26, 2010.

Uta Barth: ... to walk without destination and to see only to see, Andréhn-Schiptjenko, Stockholm, November 18 – December 23, 2010.

Crary, Jonathon, Russell Ferguson and Holly Meyers. Uta Barth: The Long Now. New York: Gregory R. Miller & Co., 2010. Illustrated in color on back cover [A], inside back cover [B]

About Uta Barth

Photographing exclusively in her own home, Uta Barth seeks to make viewers conscious of their own perceptual process in relationship to what they see in a gallery. “In most photographs the subject and the content are one and the same thing. My work is first and foremost about perception,” she explains. An early realization that using a camera lens changed how she saw things resulted in a visual acuity to the mundane and ephemeral. For instance, in her series “Ground” and “Field” (1992-98), Barth created images of blurry backgrounds by focusing her camera on empty foregrounds. In her recent three-part project “And to draw a bright white line with light” (2011), a ribbon of light streaming through a window ripples across a set of curtains, which Barth has drawn to manipulate the abstract forms cast through it’s openings. Barth was awarded a MacArthur Fellowship in 2012.

German, b. 1958, Berlin, Germany, based in California