Art Meets Taboo in the Tradition of Japanese Tattoos
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In this design, one of Kuniyoshi's greatest triptychs, he combines two of his most beloved and prolific subjects: warriors and ghosts. The historical general Minamoto Yoshitsune is commanding a fleet across Daimotsu Bay, just as an enormous storm begins to gather over the water. Suddenly, as a great wave swells under the hull of the boat, threatening to overtake them, the storm clouds transform into the ghosts of Yoshitsune's defeated enemies.
Signature: Ichiyusai Kuniyoshi ga
Publisher: Enshuya Hikobei
The son of silk dyer, little is known about Ukiyo-e artist Utagawa Kuniyoshi's early years, though he is said to have shown remarkable talent from a young age. At age 14 he was accepted to study woodblock printing under Utagawa Toyokuni I and would become one of his most successful students. In direct contrast to Hiroshige and Hokusai's peaceful views of a scenic Japan published in the 1830s and ‘40s, the following decades saw a rise in popular taste for the fierce, fearsome and fantastical in ukiyo-e, which Kuniyoshi embraced. In 1814, he left Toyokuni’s studio to pursue a career as an independent artist. Initially, he had little success, selling tatami mats in order to support himself. His fortunes changed in 1827 with his dramatic series 108 Heroes of the Suikoden, and from that point on, he became known for portrayals of famous samurai and legendary heroes. Kuniyoshi also worked in in other print genres, producing landscapes and bijin-ga (pictures of beautiful women).
Japanese, 1797-1861, Japan, based in Japan