Art Meets Taboo in the Tradition of Japanese Tattoos
Series: Illustrated: Exhibitoin of Ukiyo-e by Kuniyohsi. Riccar Museum. pl 278 In this haunting design, Raiko dreams of the Earth Spider, whose demon followers are having a mock battle. Two of Raiko's followers "Shitenno" are playing a game of go, while a third seems unaware of the importance of the battle of demons occuring around him. Shitenno: Japan's most famous ledgendary historical heroes. Minamoto no Yorimitsu aka Raiko and Urabe no Suetake (R), Watanabe no Tsuna and Sakata no Kintoki (C), Usui Sadamitsu (L)
Signature: Ichiyusai Kuniyoshi ga
Publisher: Ibaya Sensaburo
The son of silk dyer, little is known about Ukiyo-e artist Utagawa Kuniyoshi's early years, though he is said to have shown remarkable talent from a young age. At age 14 he was accepted to study woodblock printing under Utagawa Toyokuni I and would become one of his most successful students. In direct contrast to Hiroshige and Hokusai's peaceful views of a scenic Japan published in the 1830s and ‘40s, the following decades saw a rise in popular taste for the fierce, fearsome and fantastical in ukiyo-e, which Kuniyoshi embraced. In 1814, he left Toyokuni’s studio to pursue a career as an independent artist. Initially, he had little success, selling tatami mats in order to support himself. His fortunes changed in 1827 with his dramatic series 108 Heroes of the Suikoden, and from that point on, he became known for portrayals of famous samurai and legendary heroes. Kuniyoshi also worked in in other print genres, producing landscapes and bijin-ga (pictures of beautiful women).
Japanese, 1797-1861, Japan, based in Japan