Victor Vasarely, ‘Lapidaire’, 1968, Galerie du Griffon

Cette oeuvre sera incluse dans le catalogue raisonné en préparation par la Fondation Vasarely, Aix-en-Provence Cette oeuvre est le projet pour la réalisation de la page 3 de la monographie Vasarely II, Éditions du Griffon, Neuchâtel

Marcel Joray, Vasarely, Tome II, Arts plastiques du XXe siècle, Éditions du Griffon, Neuchâtel, 1965, reproduit page 3

Archives des Editions du Griffon

About Victor Vasarely

Considered one of the progenitors of Op Art for his optically complex and illusionistic paintings, Victor Vasarely spent the course of a long, critically acclaimed career seeking, and arguing for, an approach to art making that was deeply social. He placed primary importance on the development of an engaging, accessible visual language that could be universally understood—this language, for Vasarely, was geometric abstraction, more commonly known as Op Art. Through precise combinations of lines, geometric shapes, colors, and shading, he created eye-popping paintings, full of the illusion of depth, movement, and three-dimensionality. More than pleasing tricks for the eye, Vasarely insisted, “pure form and pure color can signify the world.”

Hungarian-French, 1906-1997, Pécs, Hungary, based in Paris, France