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Victor Vasarely

Sauzon (pl. 7 from the series Le discours de la methode), 1947/1969

Silkscreen with collage
Edition 112/138
Bidding closed
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About the work
H
Hindman

Fernand Mourlot, Paris, prntr.; Editions Esselier, Paris, pub.

Sight: 17.75 x 15.25 inches.

Fernand Mourlot, Paris, prntr.; Editions Esselier, Paris, pub.

Sight: 17.75 x 15.25 inches.

Medium
Print
Signature
Numbered 112/138 and signed in pencil
Victor Vasarely
Hungarian-French, 1906–1997
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Considered one of the progenitors of Op Art for his optically complex and illusionistic paintings, Victor Vasarely spent the course of a long, critically acclaimed career seeking, and arguing for, an approach to art making that was deeply social. He placed primary importance on the development of an engaging, accessible visual language that could be universally understood—this language, for Vasarely, was geometric abstraction, more commonly known as Op Art. Through precise combinations of lines, geometric shapes, colors, and shading, he created eye-popping paintings, full of the illusion of depth, movement, and three-dimensionality. More than pleasing tricks for the eye, Vasarely insisted, “pure form and pure color can signify the world.”

Save
Save
share
Share
Save
Save
share
Share
About the work
H
Hindman

Fernand Mourlot, Paris, prntr.; Editions Esselier, Paris, pub.

Sight: 17.75 x 15.25 inches.

Fernand Mourlot, Paris, prntr.; Editions Esselier, Paris, pub.

Sight: 17.75 x 15.25 inches.

Medium
Print
Signature
Numbered 112/138 and signed in pencil
Victor Vasarely
Hungarian-French, 1906–1997
Follow

Considered one of the progenitors of Op Art for his optically complex and illusionistic paintings, Victor Vasarely spent the course of a long, critically acclaimed career seeking, and arguing for, an approach to art making that was deeply social. He placed primary importance on the development of an engaging, accessible visual language that could be universally understood—this language, for Vasarely, was geometric abstraction, more commonly known as Op Art. Through precise combinations of lines, geometric shapes, colors, and shading, he created eye-popping paintings, full of the illusion of depth, movement, and three-dimensionality. More than pleasing tricks for the eye, Vasarely insisted, “pure form and pure color can signify the world.”

Victor Vasarely

Sauzon (pl. 7 from the series Le discours de la methode), 1947/1969

Silkscreen with collage
Edition 112/138
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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Op Art