Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)
Property from a Private Collection, France
From the Catalogue:
Vladimir Sersa moved to Venezuela from his native Italy at the age of nine. In the 1970s, he collaborated with the documentary photography collective El Grupo whose motto ‘we do not make pretty photo’s inspired work that combined criticism and humour. Sersa’s series Letreros que se ven [Billboards on Display] was devoted to graffiti, billboards and posters he found in working class Caracas. His book Letreros que se ven was published by Editorial Ateneo de Caracas in 1979.
—Courtesy of Phillips
Signature: Signed, titled, dated and annotated in Spanish in pencil on the verso.
América Latina 1960-2013, Fondation Cartier pour l’art contemporain, Paris, 19 November 2013 - 6 April 2014; Museo Amparo, Puebla, Mexico, 24 May - 29 September 2014, for another print
R. Montoya, Letreros que se ven: El Grupo fotografias de Ricardo Armas, Alexis Pérez Luna, Vladimir Sersa, Jorge Vall, Fermin Valladares, Editorial Ateneo de Caracas, 1979, n.p.
L. Camnitzer, O. Compagnon, A. M. Carrillo, América Latina, 1960-2013: Photographies, Fondation Cartier pour l'Art Contemporain, 2013, pp. 172-173
Toluca Fine Art, Paris