W. Eugene Smith, ‘The Spinner, Spanish Village’, 1951, Phillips

The Enduring Image: Photographs from the Dr. Saul Unter Collection

Signature: Copyright credit and credit reproduction limitation stamps on the verso.

Aperture, Master of the Photographic Essay: W. Eugene Smith, cover, p. 76
Harry N. Abrams, Inc., W. Eugene Smith Photographs 1934-1975, back cover, p. 115
Aperture, Let Truth Be the Prejudice: W. Eugene Smith: His Life and Photographs, p. 159
Aperture, W. Eugene Smith, n.p.
Aperture, W. Eugene Smith: His Photographs and Notes, n.p.
Stephenson, W. Eugene Smith 55, p. 53

Howard Greenberg Gallery, New York

About W. Eugene Smith

Called a fanatic of his craft and, often, "troublesome" by his editors, photographer and photojournalist W. Eugene Smith demanded such perfection of his images that he destroyed most of his early work. He began taking pictures at age 14, initially of airplanes, exploring an interest in aeronautical engineering. Smith went on to study photography at Notre Dame, followed by a job at Newsweek in 1937 (which he was fired from upon refusing to use a medium-format camera.) Smith liked the freedom of smaller cameras, which was particularly important in his combat photography during WWII, where he worked as diligent war correspondent—once hitchhiking 1200 miles to rush deliver film. Smith later helped define photojournalism through his work at Life magazine, and went on to join Magnum Magazine in 1955; he is remembered as a master both technically and in the darkroom.

American, 1918-1976, Wichita, Kansas, based in Tucson, Arizona