W. Eugene Smith, ‘Untitled, from The Ku Klux Klan’, 1955, Etherton Gallery

The Ku Klux Klan series was shot from ca.1951-ca. 1958. Printed early 1960s. Leslie Teicholz (stamp verso) worked for Smith 1970-71 and helped him organize his work for the Jewish Museum; exhibition "Let Truth Be the Prejudice." 542 prints in show. Plus a slide show of his WW II images.

Signature: stamped in ink; photographer’s copyright limitation and other inscriptions in ink in unknown hand

About W. Eugene Smith

Called a fanatic of his craft and, often, "troublesome" by his editors, photographer and photojournalist W. Eugene Smith demanded such perfection of his images that he destroyed most of his early work. He began taking pictures at age 14, initially of airplanes, exploring an interest in aeronautical engineering. Smith went on to study photography at Notre Dame, followed by a job at Newsweek in 1937 (which he was fired from upon refusing to use a medium-format camera.) Smith liked the freedom of smaller cameras, which was particularly important in his combat photography during WWII, where he worked as diligent war correspondent—once hitchhiking 1200 miles to rush deliver film. Smith later helped define photojournalism through his work at Life magazine, and went on to join Magnum Magazine in 1955; he is remembered as a master both technically and in the darkroom.

American, 1918-1976, Wichita, Kansas, based in Tucson, Arizona