Wes Lang, ‘Untitled (Beuys)’, 2017, V1 Gallery
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Wes Lang

Untitled (Beuys), 2017

Oil, oil stick, pencil and collage on canvas
72 × 59 4/5 in
183 × 152 cm
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Location
Copenhagen V
About the work
Wes Lang
American, b. 1972
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Wes Lang, who was employed at a tattoo shop in his youth, draws from a range of influences and sources for his practice, including Philip Guston, Martin Kippenberger, and Cy Twombly. His works are gatherings and reconfigurations of American imagery and iconography, commonly featuring flags, skulls, cowboys, and eagles. He also incorporates clippings of found images from newspapers and pornographic magazines in his work. Lang explains: “I like to take American history and then completely ignore it…It comes out of criticism and great love.” Works like The Promised Land (2005) and Tits and Flags (2008) demonstrate Lang’s ability to reference historical narratives or utopian visions without presenting an explicit narrative in the work itself.

Wes Lang, ‘Untitled (Beuys)’, 2017, V1 Gallery
Save
Save
View
View in room
Share
Share
About the work
Wes Lang
American, b. 1972
Follow

Wes Lang, who was employed at a tattoo shop in his youth, draws from a range of influences and sources for his practice, including Philip Guston, Martin Kippenberger, and Cy Twombly. His works are gatherings and reconfigurations of American imagery and iconography, commonly featuring flags, skulls, cowboys, and eagles. He also incorporates clippings of found images from newspapers and pornographic magazines in his work. Lang explains: “I like to take American history and then completely ignore it…It comes out of criticism and great love.” Works like The Promised Land (2005) and Tits and Flags (2008) demonstrate Lang’s ability to reference historical narratives or utopian visions without presenting an explicit narrative in the work itself.

Wes Lang

Untitled (Beuys), 2017

Oil, oil stick, pencil and collage on canvas
72 × 59 4/5 in
183 × 152 cm
Sold
Location
Copenhagen V
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