
Wifredo Lam
Porcelana di Albisola - 9" cheese plate, 1970

These ceramic plates were made by Wifredo Lam, during his stay in Albisola di Mare, Italy, a …

A major early 20th-century painter, Wifredo Lam fused elements of Cubism and Surrealism with African culture in paintings that were exhibited alongside those of Pablo Picasso and other Cubists and Fauvists. A native Cuban, Lam hailed from Chinese, European, Indian, and mixed-African descent, and he was deeply influenced by African spiritual practices such as Santeria. He studied in Spain under the same teacher as Salvador Dalí and became a friend of Picasso after moving to Paris in 1938. After returning to Havana in 1941, Lam began producing paintings that were dominated by hybridized human-animal-vegetal figures. There he produced his most famous work, The Jungle (1943), which depicted four grotesque figures with mask-like faces emerging from dense vegetation, and has drawn comparisons with Picasso’s masterpiece Guernica (1937).


These ceramic plates were made by Wifredo Lam, during his stay in Albisola di Mare, Italy, a coastal town that attracts many Italian and foreign artists. The work was done in 1970. He established a studio there, at that time.
Each work is hand signed by the artist on the back of the plate in gold. They are numbered …

A major early 20th-century painter, Wifredo Lam fused elements of Cubism and Surrealism with African culture in paintings that were exhibited alongside those of Pablo Picasso and other Cubists and Fauvists. A native Cuban, Lam hailed from Chinese, European, Indian, and mixed-African descent, and he was deeply influenced by African spiritual practices such as Santeria. He studied in Spain under the same teacher as Salvador Dalí and became a friend of Picasso after moving to Paris in 1938. After returning to Havana in 1941, Lam began producing paintings that were dominated by hybridized human-animal-vegetal figures. There he produced his most famous work, The Jungle (1943), which depicted four grotesque figures with mask-like faces emerging from dense vegetation, and has drawn comparisons with Picasso’s masterpiece Guernica (1937).