Willem de Kooning, ‘The Man And The Big Blonde’, 1982, Freeman's

Image: 21.25 x 26.875 in (54 x 68.3cm)
Sheet: 26.5 x 36 in (67.3 x 91.4cm)

Signature: Numbered CXXIII/CL, from the unsigned edition of 150 in Roman numerals (there was also a signed edition of 150 in Arabic numerals), with full margins, with publisher's blindstamp

Publisher: The Rainbow Art Foundation, New York

About Willem de Kooning

A first-generation Abstract Expressionist, Willem de Kooning is one of the most important artists of the 20th century. In 1950s New York, when painters like Jackson Pollock and Franz Kline were moving away from representational imagery toward pure abstraction, de Kooning maintained a commitment to the figurative tradition, developing a signature style that fused vivid color and aggressive paint handling with deconstructed images of the female form—a then-controversial body of works that has become known as his “Women” paintings. “Flesh was the reason oil paint was invented,” he famously said. Influenced by Arshile Gorky and Pablo Picasso, de Kooning was often thought to have blended Cubism, Expressionism, and Surrealism in his signature style, paving the way for generations of gestural figurative painters like Cecily Brown. Following his “Women” series, de Kooning pursued non-objective lyrical abstraction until his death in 1997.

Dutch, American, 1904-1997, Rotterdam, Netherlands, based in New York and East Hampton, New York