William Eggleston, ‘Atlanta, 1983’, 1983, Artsy x Wright
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William Eggleston

Atlanta, 1983, 1983

Chromogenic print
10 9/10 × 14 1/10 in
27.6 × 35.8 cm
Bidding closed
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About the work
Provenance
AW
Artsy x Wright

This work is sold by a private individual and ships from New York, New York, United States.

Unframed

Medium
Signature
Signed in ink, lower right
William Eggleston
American, b. 1939
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Native Southerner William Eggleston's photographs monumentalize everyday subject matter, such as motel rooms and storefronts, in eccentric, refined compositions. Each detail is important, potentially carrying beauty and mystery. The main catalyst for New American Color Photography, Eggleston is largely credited with legitimizing color photography (especially with the dye transfer process) as a fine art form. Teaching himself from books of prints by Henri Cartier-Bresson and Robert Frank, he began photographing his environment in the 1950s but turned to color, then used largely only commercially, in the late 1960s. Eggleston's 1976 "Color Photographs" show at the Museum of Modern Art was groundbreaking for its striking, saturated color but also for his observational style, often deemed "democratic."

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William Eggleston, ‘Atlanta, 1983’, 1983, Artsy x Wright
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View
View in room
Share
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About the work
Provenance
AW
Artsy x Wright

This work is sold by a private individual and ships from New York, New York, United States.

Unframed

Sheet: 10 7/8 x 14 1/8 in. (27.6 x 35.8 cm)
Image: 8 1/8 x 10 7/8 in. (20.6 x 27.6 cm)

Condition report:
Color image on glossy Kodak paper with margins. The margins with a minute accretion on left edge, not affecting …

Medium
Signature
Signed in ink, lower right
William Eggleston
American, b. 1939
Follow

Native Southerner William Eggleston's photographs monumentalize everyday subject matter, such as motel rooms and storefronts, in eccentric, refined compositions. Each detail is important, potentially carrying beauty and mystery. The main catalyst for New American Color Photography, Eggleston is largely credited with legitimizing color photography (especially with the dye transfer process) as a fine art form. Teaching himself from books of prints by Henri Cartier-Bresson and Robert Frank, he began photographing his environment in the 1950s but turned to color, then used largely only commercially, in the late 1960s. Eggleston's 1976 "Color Photographs" show at the Museum of Modern Art was groundbreaking for its striking, saturated color but also for his observational style, often deemed "democratic."

William Eggleston

Atlanta, 1983, 1983

Chromogenic print
10 9/10 × 14 1/10 in
27.6 × 35.8 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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