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Untitled (Nightclub Portrait), 1973

Gelatin silver print
38 × 26 3/4 in
96.5 × 67.9 cm
Edition 1/5
This is part of a limited edition set.
$8,000
location
Miami
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About the work
Provenance
Signature
Hand-signed by artist, signed, numbered '1/5' in ink, stamped 'EAT 0509.048' and Eggleston Artistic Trust label affixed on the flush-mount … Read more
William Eggleston
American, b. 1939
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Native Southerner William Eggleston's photographs monumentalize everyday subject matter, such as motel rooms and storefronts, in eccentric, refined compositions. Each detail is important, potentially carrying beauty and mystery. The main catalyst for New American Color Photography, Eggleston is largely credited with legitimizing color photography (especially with the dye transfer process) as a fine art form. Teaching himself from books of prints by Henri Cartier-Bresson and Robert Frank, he began photographing his environment in the 1950s but turned to color, then used largely only commercially, in the late 1960s. Eggleston's 1976 "Color Photographs" show at the Museum of Modern Art was groundbreaking for its striking, saturated color but also for his observational style, often deemed "democratic."

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Provenance
Signature
Hand-signed by artist, signed, numbered '1/5' in ink, stamped 'EAT 0509.048' and Eggleston Artistic Trust label affixed on the flush-mount … Read more
William Eggleston
American, b. 1939
Follow

Native Southerner William Eggleston's photographs monumentalize everyday subject matter, such as motel rooms and storefronts, in eccentric, refined compositions. Each detail is important, potentially carrying beauty and mystery. The main catalyst for New American Color Photography, Eggleston is largely credited with legitimizing color photography (especially with the dye transfer process) as a fine art form. Teaching himself from books of prints by Henri Cartier-Bresson and Robert Frank, he began photographing his environment in the 1950s but turned to color, then used largely only commercially, in the late 1960s. Eggleston's 1976 "Color Photographs" show at the Museum of Modern Art was groundbreaking for its striking, saturated color but also for his observational style, often deemed "democratic."

Untitled (Nightclub Portrait), 1973

Gelatin silver print
38 × 26 3/4 in
96.5 × 67.9 cm
Edition 1/5
This is part of a limited edition set.
$8,000
location
Miami
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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