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Art in a State of Grace; Art in a State of Hope (100 Years of Easy Living); Art in a State of Siege (Tatlin in Berea), three, 1988

Screenprint on brown paper
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
SC
Strauss & Co

each: 165 x 99.5 cm

This silkscreen triptych originated out of a clandestine poster project in …

Read more

each: 165 x 99.5 cm

This silkscreen triptych originated out of a clandestine poster project in 1986 that, although unrealised, was intended to coincide with celebrations marking the centenary of Johannesburg.1 Kentridge was asked to join a group of people working against the centenary, this at a time of widespread …

Read more
Signature
Each signed, dated '88 and numbered 9/13 in pencil in the margin
William Kentridge
South African, b. 1955
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In his drawings and animations, William Kentridge articulates the concerns of post-Apartheid South …

Read more

In his drawings and animations, William Kentridge articulates the concerns of post-Apartheid South Africa with unparalleled nuance and lyricism. In the inventive process by which he created his best-known works, Kentridge draws and erases with charcoal, recording his compositions at each state. He then displays a …

Read more
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Save
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share
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About the work
Bibliography
SC
Strauss & Co

each: 165 x 99.5 cm

This silkscreen triptych originated out of a clandestine poster project in …

Read more

each: 165 x 99.5 cm

This silkscreen triptych originated out of a clandestine poster project in 1986 that, although unrealised, was intended to coincide with celebrations marking the centenary of Johannesburg.1 Kentridge was asked to join a group of people working against the centenary, this at a time of widespread …

Read more
Signature
Each signed, dated '88 and numbered 9/13 in pencil in the margin
William Kentridge
South African, b. 1955
Follow

In his drawings and animations, William Kentridge articulates the concerns of post-Apartheid South …

Read more

In his drawings and animations, William Kentridge articulates the concerns of post-Apartheid South Africa with unparalleled nuance and lyricism. In the inventive process by which he created his best-known works, Kentridge draws and erases with charcoal, recording his compositions at each state. He then displays a …

Read more

Art in a State of Grace; Art in a State of Hope (100 Years of Easy Living); Art in a State of Siege (Tatlin in Berea), three, 1988

Screenprint on brown paper
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Learn more.
Other works by William Kentridge
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