William Kentridge, ‘Music Box Tondo’, 2006, Christie's

PROPERTY FROM THE COLLECTION OF MELVA BUCKSBAUM

Signed in red pencil, numbered 7/60 (there were also twelve artist's proofs), with full margins, apparently in very good condition, not examined out of the frame
Diameter: 42 in. (1067 mm.)
Sheet: 43 ½ x 43 ½ in. (1105 x 1105 mm.)

About William Kentridge

In his drawings and animations, William Kentridge articulates the concerns of post-Apartheid South Africa with unparalleled nuance and lyricism. In the inventive process by which he created his best-known works, Kentridge draws and erases with charcoal, recording his compositions at each state. He then displays a video projection of the looped images alongside their highly worked and re-worked source drawings. In this way, his process and aesthetic concerns are inextricably linked with the narrative power of his work, as in his “Nine Drawings for Projection” series (1989-2003), which depicts two fictional white South Africans navigating the ambiguities of contemporary South Africa. With his highly personal and often quiet works in seeming tension with the brutality of his content, Kentridge expresses a profound ambivalence about his native country.

South African, b. 1955, Johannesburg, South Africa, based in Johannesburg, South Africa