William Kentridge, ‘Untitled (Central Park Bandshell)’, 2005, Print, Etching, on wove paper, Christie's
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William Kentridge

Untitled (Central Park Bandshell), 2005

Etching, on wove paper
11 3/5 × 12 1/2 in
29.5 × 31.8 cm
Bidding closed
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C
Christie's

PROPERTY FROM THE COLLECTION OF MELVA BUCKSBAUM

Signed in pencil, numbered 7/8, with full margins, …

Medium
William Kentridge
South African, b. 1955
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In his drawings and animations, William Kentridge articulates the concerns of post-Apartheid South Africa with unparalleled nuance and lyricism. In the inventive process by which he created his best-known works, Kentridge draws and erases with charcoal, recording his compositions at each state. He then displays a video projection of the looped images alongside their highly worked and re-worked source drawings. In this way, his process and aesthetic concerns are inextricably linked with the narrative power of his work, as in his “Nine Drawings for Projection” series (1989-2003), which depicts two fictional white South Africans navigating the ambiguities of contemporary South Africa. With his highly personal and often quiet works in seeming tension with the brutality of his content, Kentridge expresses a profound ambivalence about his native country.

William Kentridge, ‘Untitled (Central Park Bandshell)’, 2005, Print, Etching, on wove paper, Christie's
Save
Save
View
View in room
Share
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C
Christie's

PROPERTY FROM THE COLLECTION OF MELVA BUCKSBAUM

Signed in pencil, numbered 7/8, with full margins, in very good condition, framed
Image: 7 x 8 ½ in. (178 x 216 mm.)
Sheet: 11 5/8 x 12 ½ in. (295 x 318 mm.)

Medium
William Kentridge
South African, b. 1955
Follow

In his drawings and animations, William Kentridge articulates the concerns of post-Apartheid South Africa with unparalleled nuance and lyricism. In the inventive process by which he created his best-known works, Kentridge draws and erases with charcoal, recording his compositions at each state. He then displays a video projection of the looped images alongside their highly worked and re-worked source drawings. In this way, his process and aesthetic concerns are inextricably linked with the narrative power of his work, as in his “Nine Drawings for Projection” series (1989-2003), which depicts two fictional white South Africans navigating the ambiguities of contemporary South Africa. With his highly personal and often quiet works in seeming tension with the brutality of his content, Kentridge expresses a profound ambivalence about his native country.

William Kentridge

Untitled (Central Park Bandshell), 2005

Etching, on wove paper
11 3/5 × 12 1/2 in
29.5 × 31.8 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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