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William Klein, ‘Smoke and Veil (Vogue), Paris’, 1958, Heritage Auctions
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William Klein

Smoke and Veil (Vogue), Paris, 1958

Gelatin silver, printed later
18 3/10 × 13 3/10 in
46.5 × 33.8 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
HA
Heritage Auctions

Unframed

Unframed

Medium
Photography
Signature
Signed, titled, and dated in pencil on verso.
Image rights
Courtesy of Heritage Auctions
William Klein
American, b. 1928
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The social documentary tendencies of William Klein’s oeuvre find their roots in his hometown of New York City. Though he began as a painter working in Paris and Milan, Klein was enticed back to the U.S. by photography and immediately began working for Vogue. Klein's first assignment was to create a photo-journal of New York, a project that began his raw city portraits (succeeded ones of by Rome, Tokyo, and Moscow) where he aimed to personally intervene in the images, unlike the "invisible camera" of his predecessor Henri Cartier-Bresson. Though working for Vogue primarily to fund projects such as photo books and his now cult-films (like Who Are You Polly Maggoo), Klein became a renowned and revolutionary photographer both in fashion and elsewhere. He is best known for his garish and controversial images; grainy, high-contrast, and always via wide-angle lens.

William Klein, ‘Smoke and Veil (Vogue), Paris’, 1958, Heritage Auctions
Navigate left
William Klein, ‘Smoke and Veil (Vogue), Paris’, 1958, Heritage Auctions
Navigate right
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
HA
Heritage Auctions

Unframed

Unframed

Medium
Photography
Signature
Signed, titled, and dated in pencil on verso.
Image rights
Courtesy of Heritage Auctions
William Klein
American, b. 1928
Follow

The social documentary tendencies of William Klein’s oeuvre find their roots in his hometown of New York City. Though he began as a painter working in Paris and Milan, Klein was enticed back to the U.S. by photography and immediately began working for Vogue. Klein's first assignment was to create a photo-journal of New York, a project that began his raw city portraits (succeeded ones of by Rome, Tokyo, and Moscow) where he aimed to personally intervene in the images, unlike the "invisible camera" of his predecessor Henri Cartier-Bresson. Though working for Vogue primarily to fund projects such as photo books and his now cult-films (like Who Are You Polly Maggoo), Klein became a renowned and revolutionary photographer both in fashion and elsewhere. He is best known for his garish and controversial images; grainy, high-contrast, and always via wide-angle lens.

William Klein

Smoke and Veil (Vogue), Paris, 1958

Gelatin silver, printed later
18 3/10 × 13 3/10 in
46.5 × 33.8 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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