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William Klein

Tatiana, Mary Rose and Camels, Picnic, Morocco, 1958

Silver gelatin print, printed later
20 × 24 in
50.8 × 61 cm
$5,000 - 7,500
location
London
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About the work
Medium
Photography
Signature
Signed, titled and dated in pencil print verso
Image rights
©William Klein /courtesy HackelBury Fine Art, London
Price ranges of medium-sized photographs by William Klein
Learn more
Browse works in this category
$7,200–$7,600
This work
$0
$8,400+
William Klein
American, b. 1928
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The social documentary tendencies of William Klein’s oeuvre find their roots in his hometown of New York City. Though he began as a painter working in Paris and Milan, Klein was enticed back to the U.S. by photography and immediately began working for Vogue. Klein's first assignment was to create a photo-journal of New York, a project that began his raw city portraits (succeeded ones of by Rome, Tokyo, and Moscow) where he aimed to personally intervene in the images, unlike the "invisible camera" of his predecessor Henri Cartier-Bresson. Though working for Vogue primarily to fund projects such as photo books and his now cult-films (like Who Are You Polly Maggoo), Klein became a renowned and revolutionary photographer both in fashion and elsewhere. He is best known for his garish and controversial images; grainy, high-contrast, and always via wide-angle lens.

Save
Save
view
View in room
share
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Save
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view
View in room
share
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About the work
Medium
Photography
Signature
Signed, titled and dated in pencil print verso
Image rights
©William Klein /courtesy HackelBury Fine Art, London
Price ranges of medium-sized photographs by William Klein
Learn more
Browse works in this category
$7,200–$7,600
This work
$0
$8,400+
William Klein
American, b. 1928
Follow

The social documentary tendencies of William Klein’s oeuvre find their roots in his hometown of New York City. Though he began as a painter working in Paris and Milan, Klein was enticed back to the U.S. by photography and immediately began working for Vogue. Klein's first assignment was to create a photo-journal of New York, a project that began his raw city portraits (succeeded ones of by Rome, Tokyo, and Moscow) where he aimed to personally intervene in the images, unlike the "invisible camera" of his predecessor Henri Cartier-Bresson. Though working for Vogue primarily to fund projects such as photo books and his now cult-films (like Who Are You Polly Maggoo), Klein became a renowned and revolutionary photographer both in fashion and elsewhere. He is best known for his garish and controversial images; grainy, high-contrast, and always via wide-angle lens.

William Klein

Tatiana, Mary Rose and Camels, Picnic, Morocco, 1958

Silver gelatin print, printed later
20 × 24 in
50.8 × 61 cm
$5,000 - 7,500
location
London
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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Other works from HackelBury Fine Art
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